Lockett suggested that he should book some studio time to make some of his own music instead. And he was just like, ‘Look, mate, you haven’t got enough money to do what you’re asking for’.” “Because I’m being a businessman,” he laughs, “I go to the studio and I meet Nathan, who’s a bit older than me, and a lot wiser in terms of this music industry thing. “It’s a cult classic.” In love with the music they were making, Garcia asked to set up a meeting with him and Lockett to discuss starting a label with a release from the pair. “G comes in one day, and plays me this demo of a track ‘Going On’ - one of Baffled’s biggest records,” he explains. Describing himself as “a bit of a Del Boy”, Garcia decided he wanted to start a record label to stock in the shop. They included Tony Lawrence, AKA DJ Damage, a producer who also worked for a distributor called Alphamagic, and Gavin Henry, who worked as G Smoove, and as one half of Baffled with an engineer called Nathan Lockett. Through the record shop, Garcia met a number of people who turned out to be crucial to his journey as an artist. But you’d speed them up, because they naturally sounded better. The stuff I was gravitating towards in the shop was a bit more dubby, and it would be the B-side of big gospel records that would have a little chopped-up vocal. It was really vocal, gospel almost, and very, very soulful. “There was no such thing as UK garage then,” he continues. Garcia started going to clubs like Club UK in Wandsworth and Garage City at Satellite Club - which would eventually become The Colosseum, home to legendary UK garage night Twice As Nice. “Because was my source, I was playing this hard-edged UK house that came before garage.” “I got hooked on that sound,” Garcia enthuses, when he meets DJ Mag at the bar at his hotel during Amsterdam Dance Event in October. The pair took over the site of a failing record shop on Wimbledon Broadway in West London, and opened Ruff Trax.ĭue to cost, the pair couldn’t initially afford to bring in US imports, so they focused on UK music coming through from labels like Cleveland City Records and Nice ‘N’ Ripe, and artists like Grant Nelson and Simon Firmin under their 24 Hour Experience alias, who were all influenced by the more soulful US garage of the time. By the mid ’90s, he had decided - along with a friend (whose dad “had a bit of money”) - to look into opening a record shop himself. Born in Tooting and growing up in Wimbledon, Garcia also used any spare money he had at the time to buy records from shops around London. Only the third release a teenage Garcia made in the studio, to tell the story of ‘A London Thing’ we have to rewind to the early ‘90s, when he got his earliest exposure to electronic music by going to drum & bass raves like Orange at Camden Palace and those held at Lazerdrome in Peckham. The success of artists like Garcia around the turn of the Millennium laid the foundations for the sound to become more than just a London thing. 29 in the UK Singles Chart when it was released - almost unheard of for a garage track at the time - its relevance has been renewed in the last few years, as UK garage has blown up internationally, with dedicated scenes cropping up in Japan, Norway, the Netherlands, Germany, Australia, India and the US. Built around dusty, distorted, shuffling drums, a warped, dropping bassline, bouncing organ stabs and the chopped-up vocals of MC Styles - which claimed the sound as London’s own - it also gave unlikely birth to an artist that would have a long-lasting impact on what the UK garage scene sounded like over the following half-decade (and beyond). Several individuals working on the production set have confirmed on Instagram that the shoot is happening this week, Billboard reported.When Scott Garcia's ‘A London Thing’ was released in November 1997, it shot an arrow through the heart of a generation of clubbers in the midst of falling in love with UK garage. Views is also at the top of the Billboard 200 Album chart spending a record eight weeks as the top album.ĭrake is reportedly filming the music video for “One Dance” in South Africa. 1 on Billboard Hot 100 and has been at the top of the chart for seven weeks now. Wiz Khalifa Claps Back At Popcaan aka Poptart Says He Gave Drake a Hand Job “Unruly gang world wide thing / I don’t know why they still try me / The one Vegas him can’t reply me,” Drizzy sings. The dancehall deejay stirred up some controversy last month when he accused the Canadian emcee of not giving dancehall music enough credit for the success of his latest album Views. Cole’s Dreamville Fest 2023ĭrake might have also took a subliminal jab at Mr. Burna Boy, Sean Paul Brings Afrobeats & Dancehall To J.
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